Showing posts with label Genealogy. Show all posts
Showing posts with label Genealogy. Show all posts

Saturday, September 17, 2011

The Juggling of Certainty vs. Science

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One obvious problem which has been a repeated barrier to both correction and progress in the field of Textual Criticism of the NT has been a basic ideological and fundamental conflict, not just between parties, but influencing individuals attempting to practice TC.

The conflict is this:

Fundamentally, the Scientific Method is tentative and agnostic.  In order to remain truly scientific, it must deal in probabilities, and ever hold the door open to new discoveries which can not only modify current ideas, but completely overthrow them.  Diagrammed as above, one can see that it forms an Endless Loop, without ever establishing any permanent, universal truth. 

Those engaged in Textual Criticism on the other hand, while desperately desiring to garner the support and also credibility of scientific method, nonetheless cling to ideas which at base are in fundamental opposition to science.  First, is the idea of a fundamental Objective Reality, a non-changing universal truth applicable to every situation, and second is the idea that science 'progresses' inevitably toward greater and greater accuracy and surety in regard to believed facts.

Neither of these ideas is really a part of Scientific Method, or a necessary ingredient of Scientific philosophy, even though both ideas have been around as long as science, and have been more often than not inextricably bound up with scientific investigation.

The growth of science in the 19th century, also saw advancing alongside it the field of mathematics.  In this field, especially the concepts of Convergence, developing from Calculus, led men to believe that almost any problem could be solved by honing and improving the appropriate method of approximation, which would naturally and result in more and more accurate statements about the world.

The New Testament Text was regarded no differently: It was believed to be only a matter of time before textual-critical methods would tighten up and produce a more and more accurate 'original text', finally as sharp and accurate as a photograph, or a scientific measurement of light-speed to 8 decimal places.



Eureka! - Hort's Innovation

Surprisingly, F.J.A. Hort was instrumental in forwarding this ideology.  Contrary to current historians and various opponents, Hort's real innovation in Textual Criticism was not "the genealogical method", or the advancement in the evaluation of various sources.  It was the innovation of what is now called in modern mathematics and computing as "iteration".

Iteration is the application of a set of instructions, a 'program' or algorithm,
 repeatedly, usually to refine or home in on a result.  Imagine for instance, a lathe that shapes table-legs.  It shapes the wood by repeated cutting away of waste, leaving the desired pattern behind. 

An Algorithm is usually fixed, but sometimes having optional paths or choices built in.  The flexibility comes through a testing, measurement or decision process (as in the flowchart above, where the 'diamond' shapes mark points in the flow where choices will be made).  

Some objects in mathematics are better and more efficiently expressed as algorithms - a group of ordered steps or instructions, meant to be applied like a recipe or prescription, and often actually acting as a description of a process or phenomenon.  Other objects can ONLY be described by algorithms.  Unfortunately, some objects cannot be expressed by algorithms at all.

When mathematicians began to notice algorithms, they discovered other sometimes disturbing properties of said 'objects', such as the fact that some mathematical objects and ideas have no algorithm at all.  (the calculation of PI or the search for Prime Numbers are examples of things that must be calculated by 'brute force' and crude testing rather than elegant formulas).

When mathematicians noticed that some problems and ideas cannot be expressed by algorithms, it became clear that some problems were by their very nature "unsolvable".

On a simpler level, it was clear that some  'formulas' simply did not and could not 'converge'; that is could not settle down and spit out one single numerical answer.   Likewise, algorithms simply did not always produce a useful or reliable result, nor could they even come to an end.  They were like run-away processes, and if left to themselves would get stuck in endless loops, or randomly wander the universe of numbers.

Hort's assumption was that by using the novel idea of "iteration", meaning the repeated application of textual-critical principles and techniques, to further and further refine the content and certainty of the text, one could arrive as close as possible to the original text as the extant data and the scientific process allowed.

Unfortunately, Hort was wrong on this entire idea:

(1)  There was nothing in the realm of science that indicated that discovering the 'original text' was even possible let alone probable.

(2)  There was nothing that suggested that text-critical methods could or should converge toward any fixed text, let alone the true original text.

(3)  Iteration itself had no magical power to force the textual variants to converge into a 'near certain' text, in spite of its allure and mathematical usefulness in certain situations.  If the applied method was flawed, or ill-defined, the opposite result was inevitable.

(4)  The success of iterative methods in other areas of science had no bearing on iteration as an intelligent or useful technique in textual criticism.   In order for iteratiion to work, the techniques to be iterated must first be sound.

Later, when men of religion attempted to apply mathematical and scientific concepts and techniques to the problem, they were inevitably biased and their work tainted by their own conviction that these methods would converge to an absolutely certain 'original text', and that this was the way God intended us to acquire this certainly established, authoritative, original text.

Nobody thought to inquire and investigate thoroughly what methods that God Himself chose to preserve and deliver the text, and what this meant for the credibility of textual criticism of the NT as a historical science.

As it turned out, God did not use the historical-critical techniques of NT Textual Criticism to preserve and supply the NT text.  God chose simpler, and quite apparently, more reliable methods than those proposed and used by modern Textual Critics to 'reconstruct' the NT text.

These facts strongly suggest that those who wish to establish, secure, or restore the NT text ought to imitate the methods used historically by God Himself for the last 2000 years.

Nazaroo

Monday, September 12, 2011

Lachmann (3) - The "Illiad Theory" and Acts



F.N. Peloubet, in The Teacher's commentary on the Acts (1903, Oxford) deals with Lachmann's multiple author theory in passing, in the context of the composition of Acts.
Peloubet (Introduction, xxxv fwd) states:

"VI. THE SOURCES OF ACTS.   As Luke expressly says in the preface to his Gospel that he derived his information from the records of eye-witnesses, with which he was perfectly familiar, the same is doubtless true of his treatise on the Acts of the Apostles. ...
...there is no reason for thinking, a priori, that the speeches cannot be historical. . . . The speeches of the leading apostles would impress themselves on the growing community, and would be remembered as the words of the Lord were remembered.
...
There are some interesting comparisons of the discussion of the composite nature of the Acts with other literature in  A. H. Strong's The Great Poets and their Theology. 
"The German Lachmann resolved the Iliad into sixteen distinct and clearly defined layers.  Paley has compared the Iliad and the Odyssey to pictures of stained glass made up by an artistic combination of handsome bits of older windows which fortune and time had shivered." 
The combatants [textual critics] are more and more arraying themselves on the side of the traditional view that both poems are by the same author, and that this author is Homer. But Homer himself may have taken many years for the elaboration of his poems, revising and improving them as he repeated them again and again, so that during those years versions of various degrees of perfection may have been set in circulation.  
Goethe in one of his letters to Schiller cites different versions of his own poems, in connection with the theory we have been considering. He had at various times amended and enlarged them; but he did not on that account prove that there was a second Goethe, or many Goethes. "
What all this tells us is that subsequent critics and investigators  cioming after Lachmann have found that all such naive theories of 'many detectable layers' and 'multiple authors' are at best precarious conjectures and near-worthless.   Even, and perhaps especially, reconstructed 'genealogies', based on the alleged identification of various 'interpolations' and layers are simply academic fantasies, their proliferation and variations providing the best evidence of their spuriousness.

Nazaroo

Lachmann - exaggerater of the "Genealogical Method"

Lachmann, Karl Konrad Friedrich Wilhelm,
(1973-1851) German philologist.


Educational Background and Training

Lachmann studied at Leipzig and Gottingen, mainly philological studies.

1816 - assistant master in the Friedrichswerder gymnasium (Berlin)
         - privatdozent at the University (of Berlin?)
         - principal master in Friedrichs-Gymnasium of Konigsberg
1818 - assisted Germanist Friedrich Karl Kopke
         - professor extraordinarius of classical philosophy (U. of Konigsberg)
1818 - 1825 - devoted to studying Old German Grammar & Middle High German poetry
1825 - leave of absence to search libraries for German materials
         - nom. Extraordinary Professor of German philology (Humboldt U., Berlin)
1827 - professor (Humbolt U., Berlin)
1830 - member of academy of sciences


Up until about 1827, Lachmann had hardly spent any time on New Testament studies or NT Greek, but had devoted all his effort toward German languages and literature, although he also translated the first volume of PE Müller's Sagabibliothek des skandinavischen Altertums (1816).   A look at his publications shows his interest and focus of study:

 Published Works and Area of Study

Early Work before engaging in Greek NT:

Lachmann edited Propertius (1816); Catullus (1829); Tibullus (1829);
He also translated Shakespeare's sonnets (1820) and Macbeth (1829).


Work published while working on Greek NT:

Genesius (1834); Terentianus Maurus (1836); Homer's Illiad (1837-41)
Babrius (1845); Avianus (1845); Gaius (1841-1842); the Agrimensores Romani (1848-1852);  Lucretius (1850).
Lachmann also apparently edited Lucilius (re--edited after his death by Vahlen, 1876).

Although this is a substantial body of work, very little of it bears upon the task of NT Textual Criticism.  Lachmann's own textual-critical skills were all based on classical works, which pose a much different and far simpler problem:  Most classical works were not the target of religious or political attack, and the NT was written and copied under unique and exceptional circumstances.


Lachmann's Greek New Testament


Between 1831 and 1850 Lachmann now turned to the Greek NT.

  The plan of Lachmann's edition, which he explained in his Studia Krit. of 1830, is a modification of the unaccomplished project of Richard Bentley. Lachmann was the first major editor to break from the Textus Receptus, seeking to restore the most ancient reading current in manuscripts of the Alexandrian text-type, using the agreement of the Western authorities (Old Latin and Greek Western Uncials) as the main proof of antiquity of a reading where the oldest Alexandrian authorities differ.

1831 - published his smaller edition of the New Testament
1842 - the larger second edition, in two volumes (1842-1850).
1846 -  the 3rd edition 


Lachmann's 'Crowning Achievement'

Lachmann then immediately went back to other classical interests.  According to Wikipedia, 
"Lachmann's edition of Lucretius (1850),  was the principal occupation of his life from 1845, and perhaps his greatest achievement of scholarship. 
 He demonstrated how the three main manuscripts all derived from one archetype, containing 302 pages of 26 lines to a page. Further, he was able to show that this archetype was a copy of a manuscript written in a minuscule hand, which in itself was a copy of a manuscript of the 4th or 5th centuries written in rustic capitals. To say his recreation of the text was accepted is anticlimactic..."
 However, this itself is some kind of fudging of the actual truth regarding Lachmann's work.  Qwiki tells a quite different story about the evaluation of Lachmann's work regarding Homer's Illiad (1837-1841):
"in it he sought to show that the Illiad consists of eighteen independent layers, variously enlarged and interpolated, had considerable influence on 19th century Homeric scholarship, although his views are no longer accepted."